Just a few new notes on this , as its completes its triumphant national tour with (amazingly) no stopping-injuries despite the heroically vigorous slapstick direction by Lindsay Posner (movement and fights, Ruth Cooper-Brown). Especially in the first section of Act 2.

Well, you know the play by now – below is my review from the opening in Bath with this production – but I just want to add a note or too , equally five-mouseable.

I had forgotten how good Joseph Millsom is as Garry, both in the physical work (OMG that stair descent with laces tied together) but also in his characterisation of a type of actor generally and mercifully rare, the pretentious yet inarticulate. A special shout-out too to Pepter Lunkuse as the exhausted, insulted ASM~: often in the background of more exuberant scenes but worth watching in horrified reaction. Soit was a joy to see this cast still so beautifully together , and one hopes on speaking terms, after a real tour as challenging as any of the old rep trudges which Michael Frayn so gleefully was sending up. His essay on farce, and spoof blogs, in the programme remain a joy every time too.

The only difference for me was seeing the production first in Bath with contemporaries of mine, who vaguely remember rep and awful bedroom door-slamming comedies, and seeing it with a much younger friend who was, frankly, gobsmacked that theatre ever got away with the sexism of “Nothing On” farces . I equally noted, in such modern company, that there were times not all the long ago when you could bung a sheet on your head and say you were “an Arab sheikh” without getting cancelled and told off in the Guardian. Anyway, here’s what I wrote about its marvels earlier…long may it live, right into the sternly correct future when rubbish rep farce is ancient history and even poor Freddie’s disability (fainting triggered at the mention of blood) is considered wrong to laugh at….

BOOKING is now to 11 March so ignore the old details in the review below..


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